{"title":"Restored and Remastered","description":"\u003cp\u003eGreat works brought back to life in the Elliott Best studio. Old Masters, Belle Époque posters, Weimar Berlin and vintage advertising, restored from archival sources with period-accurate colour and detail. Every piece is printed on premium archival museum stock.\u003c\/p\u003e","products":[{"product_id":"absinthe-pernod-fils","title":"Absinthe Pernod Fils — La Fée Verte — Belle Époque Vintage Poster — Remastered","description":"\u003cp\u003e\u003cem\u003eTaste the true Green Fairy.\u003c\/em\u003e The invitation is right there in the copy, and in Belle Époque Paris, it was one that artists, poets, and bohemians accepted with considerable enthusiasm.\u003c\/p\u003e\n\u003cp\u003eAbsinthe Pernod Fils was the most celebrated brand of \u003cem\u003ela fée verte\u003c\/em\u003e — the green fairy — the anise-flavoured spirit that became the defining drink of late 19th-century Parisian creative life. Van Gogh drank it. Toulouse-Lautrec drank it. Verlaine, Rimbaud, Wilde — the list of devotees reads like a who's who of the era's most interesting minds. Pernod Fils, founded in 1805, was the original and the finest, and their advertising reflected it: confident, beautiful, and entirely sure of its own mythology.\u003c\/p\u003e\n\u003cp\u003eAbsinthe was banned across much of Europe and North America in the early 20th century, which only deepened its legend. This poster is a document of the moment before the ban — when the green fairy was still very much at large in the cafés of Montmartre.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in this collection carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490420666539,"sku":"EB-ABSINTHEPERNOD-SM","price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490420699307,"sku":"EB-ABSINTHEPERNOD-SM","price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490420732075,"sku":"EB-ABSINTHEPERNOD-SM","price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Absinthe_f74d9d3b-80d5-4e38-8ce8-9fcb8107afcd.png?v=1757261613"},{"product_id":"cheret-jules-1836-1932-moulin-rouge-1892","title":"\"Jules Chéret Moulin Rouge 1892,\" remastered in the studio.","description":"\u003cp\u003eThis iconic 1892 lithograph poster by Jules Chéret (1836-1932) captures the vibrant spirit of Paris's legendary Moulin Rouge cabaret during its golden age. Known as the \"father of the modern poster,\" Chéret revolutionized advertising art with his innovative chromolithography techniques and dynamic compositions.\u003c\/p\u003e\n\u003cp\u003eCreated just three years after the Moulin Rouge opened its doors in 1889, this poster exemplifies Chéret's mastery of the Belle Époque aesthetic. His signature style—featuring graceful, dancing figures known as \"Chérettes\"—brought unprecedented artistic legitimacy to commercial advertising and helped establish poster art as collectable. \u003c\/p\u003e\n\u003cp\u003eThis poster advertised the world-famous cabaret in Montmartre, where can-can dancers and bohemian artists created the legendary atmosphere that still captivates audiences today. Chéret's work helped establish the Moulin Rouge as a cultural institution and symbol of Parisian joie de vivre.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in this collection carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490425385131,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490425417899,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490425450667,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Cheret_Jules_1836-1932_-MoulinRouge1892.png?v=1757175093"},{"product_id":"grand-hotel-cocktails","title":"Grand Hotel Cocktails — Art Deco 1920s Vintage Poster — Remastered","description":"\u003cp\u003eShe is shown in profile — the Art Deco way, all clean line and composed silhouette — a martini glass held with the easy authority of someone entirely at home in a grand hotel bar. The 1920s invented this woman. The cocktail hour was new, the grand hotel was the centre of fashionable life, and the martini was the drink that said you understood both.\u003c\/p\u003e\n\u003cp\u003eThis mid-1920s poster for the Grand Hotel captures the Jazz Age at its most assured: bold graphic composition, a palette that commands attention, and a subject who has absolutely no interest in being anywhere else. It is the golden age of hotel culture distilled into a single image.\u003c\/p\u003e\n\u003cp\u003eArt Deco cocktail posters are among the most sought-after examples of vintage graphic art — elegant, timeless, and made for walls that deserve something with a story.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490428170411,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490428203179,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490428235947,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Cocktails_Grand_Hotel_fba485c8-7f64-4d51-83c5-0fdd90ca07e4.png?v=1757261657"},{"product_id":"cheret-jules-1836-1932-yvette-guilbert-1891","title":"\"Jules Chéret Yvette Guilbert 1891,\" Remastered by Elliott Best.","description":"\u003cp\u003eThis stunning 1891 lithograph by Jules Chéret (1836-1932) immortalizes Yvette Guilbert, one of the most celebrated cabaret performers of the Belle Époque. Known for her distinctive long black gloves, sharp wit, and risqué songs, Guilbert became an icon of Parisian nightlife, and Chéret's poster captures her magnetic stage presence.\u003c\/p\u003e\n\u003cp\u003eYvette Guilbert (1865-1944) revolutionized cabaret performance with her sophisticated, satirical songs and dramatic stage persona. She performed at legendary venues like the Moulin Rouge, Divan Japonais, and Ambassadeurs, becoming the muse for artists including Toulouse-Lautrec and Chéret. This poster represents the intersection of performing arts and visual arts that defined Belle Époque Paris.\u003c\/p\u003e\n\u003ch3\u003eBelle Époque Cabaret Culture\u003c\/h3\u003e\n\u003cp\u003eThis poster embodies the golden age of Parisian cabaret, when performers like Guilbert, venues like the Moulin Rouge, and artists like Chéret created a cultural phenomenon that still captivates the world. The collaboration between performer and poster artist was essential to building celebrity and drawing audiences.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490431053995,"sku":"EB-CHERETJULES183-SM-3","price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490431086763,"sku":"EB-CHERETJULES183-SM-3","price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490431119531,"sku":"EB-CHERETJULES183-SM-3","price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Cheret_Jules_1836-1932_-_Yvette_Guilbert_1891.png?v=1757176681"},{"product_id":"cheret-jules-1836-1932-musee-grevin-1888","title":"\"Jules Chéret Musée Grévin 1888,\" remastered in the Elliott Best Studio.","description":"\u003cp\u003eThis captivating 1888 lithograph by Jules Chéret (1836-1932) promoted the Musée Grévin, Paris's famous wax museum that opened in 1882. Chéret's enchanting poster captures the wonder and spectacle that awaited visitors to this beloved Parisian institution, which still delights audiences today.\u003c\/p\u003e\n\u003cp\u003eLocated on the Boulevard Montmartre in the heart of Paris, the Musée Grévin was created to rival London's Madame Tussauds. Chéret's poster helped establish the museum as a must-see attraction during the Belle Époque, when Paris was the cultural capital of the world and entertainment venues competed for public attention through innovative advertising.\u003c\/p\u003e\n\u003ch3\u003eBelle Époque Entertainment\u003c\/h3\u003e\n\u003cp\u003eThis poster represents the golden age of Parisian entertainment, when new technologies like wax figure creation and color lithography combined to create unprecedented public spectacles. Chéret's work documented and promoted the vibrant cultural scene that made 1880s-1890s Paris legendary.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490434068651,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490434101419,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490434134187,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Cheret_Jules_1836-1932_-MuseeGrevin1888.png?v=1757176795"},{"product_id":"what-you-need-is-a-good-cup-of-tea","title":"What You Need is a Good Cup of Tea — Vintage 1940s British Poster — Remastered","description":"\u003cp\u003eHe's pulled over. Cap on, jacket done up, the cab parked for five minutes while the world carries on without him. In his hands: a proper cup of tea. The headline doesn't need to argue its case. It simply states what every Londoner already knows.\u003c\/p\u003e\n\u003cp\u003eThis wonderful 1940s British poster captures something essential about the national character — the unshakeable belief that whatever has happened, whatever is about to happen, a good cup of tea is both the correct response and the best preparation. The London cabbie is the perfect messenger: unhurried, practical, and entirely at peace with his decision.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490441834667,"sku":"EB-WHATYOUNEEDIS-SM","price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490441867435,"sku":"EB-WHATYOUNEEDIS-SM","price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490441900203,"sku":"EB-WHATYOUNEEDIS-SM","price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/LONDONCABBIEWHATYOUNEEDISAGOODCUPOFTEAHR.png?v=1758068017"},{"product_id":"tea-drives-away-the-droops-in-the-pre-war-advertising-style","title":"Tea Drives Away the Droops — Vintage 1940s British Poster — Remastered","description":"\u003cp\u003eThis delightful 1940s British poster makes its case with characteristic understatement: \u003cem\u003eTea Drives Away the Droops.\u003c\/em\u003e Not a cure, not a miracle — just a reliable remedy for that particular low-grade malaise that the British have always known how to name and how to treat. The wartime and postwar years gave this message real weight. When everything else was rationed, uncertain, or simply exhausting, tea remained. It always remained.\u003c\/p\u003e\n\u003cp\u003eThe illustration is warm and assured — a well-dressed woman, cup in hand, the picture of composed recovery. Bold colour, period typography, and a headline that has aged not one day.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490443243691,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490443276459,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490443309227,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/D39EC124-BF91-4675-BD57-C25B05DCD3C6.png?v=1758069180"},{"product_id":"empire-theatre-of-varieties-a-music-hall-poster-in-the-late-victorian-style","title":"Empire Theatre of Varieties — Victorian Music Hall Poster — Remastered","description":"\u003cp\u003eThe Empire Theatre of Varieties was one of the great stages of Victorian Britain — a place where the gas lamps blazed, the orchestra tuned up, and the audience came ready to be dazzled. This poster announces a performer in the full tradition of the music hall: dark hair, scarlet costume, and the kind of presence that fills a room before she's said a word.\u003c\/p\u003e\n\u003cp\u003eVictorian music hall posters were the graphic design of their age — bold typography, vivid colour, and an image calculated to stop you on the street and make you buy a ticket. This one does exactly that. It is a document of an entertainment culture that was genuinely democratic: the stalls and the gallery, the toffs and the working crowd, all there for the same show.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490445144235,"sku":"EB-EMPIRETHEATREO-SM","price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490445177003,"sku":"EB-EMPIRETHEATREO-SM","price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490445209771,"sku":"EB-EMPIRETHEATREO-SM","price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/CC07A897-BEA6-41BF-87C1-6E1F60ED0EA1.png?v=1758069744"},{"product_id":"portrait-of-georg-giese-by-hans-holbein-the-younger-1532","title":"\"Georg Giese 1532,\" Hans Holbein the Younger, Remastered","description":"\u003cp\u003eThis magnificent 1532 portrait by Hans Holbein the Younger (1497–1543) depicts Georg Giese, a prosperous German merchant of the Hanseatic League working in London. Considered one of Holbein's masterpieces, this painting brilliantly captures the intersection of commerce, humanism, and artistic excellence during the Northern Renaissance.\u003c\/p\u003e\u003cp\u003eThis work has been carefully remastered in the Elliott Best Studio — restoring faded tones, recovering lost detail, and bringing new luminosity to Holbein's extraordinary brushwork. The result is a vivid, museum-quality print that honours the original with the clarity it deserves.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490447765675,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490447798443,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490447831211,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/TheGermanMerchantinLondonHolbeinHR.png?v=1759610149"},{"product_id":"alcazar-dete-revue-fin-de-siecle-by-jules-cheret-1890","title":"\"Jules Chéret Alcazar d'Ete 1890,\" remastered in the Elliott Best Studio.","description":"\u003cp\u003eThis vibrant 1890 lithograph by Jules Chéret (1836-1932) advertised the \"Revue Fin de Siècle\" at the Alcazar d'Été, a popular Parisian café-concert venue. The title \"Fin de Siècle\" (End of Century) perfectly captures the mood of 1890s Paris—a time of artistic innovation, social transformation, and cultural exuberance as the 19th century drew to a close.\u003c\/p\u003e\n\u003cp\u003eThe Alcazar d'Été was one of Paris's beloved café-concerts, entertainment venues that combined dining, drinking, and variety performances. These establishments were central to Belle Époque social life, offering accessible entertainment to a broad audience. Chéret's posters were essential marketing tools that transformed these venues into cultural landmarks and their performances into must-see events.\"\u003c\/p\u003e\n\u003cp\u003eThe \"revue\" was a popular theatrical format featuring music, dance, comedy sketches, and topical satire. These variety shows epitomized Belle Époque entertainment, and Chéret's posters captured their energy and spectacle, enticing audiences to experience the latest productions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in this collection carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490450583723,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490450616491,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490450649259,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Cheret_Jules_1836-1932_-AlcazarD_Ete1890.png?v=1759611705"},{"product_id":"folies-bergere-une-soiree-en-habit-noir-by-jules-cheret-1878","title":"Jules Chéret \"Folies Bergère 1878,\"  remastered in the Elliott Best Studio.","description":"\u003cp\u003eThis exceptional 1878 lithograph by Jules Chéret (1836-1932) advertised \"Une Soirée en Habit Noir\" (An Evening in Black Tie) at the Folies Bergère, one of Paris's most iconic entertainment venues. Created just six years after the Folies Bergère opened in 1872, this poster represents Chéret's early work in establishing the visual identity of Parisian nightlife.\u003c\/p\u003e\n\u003cp\u003eThe Folies Bergère became synonymous with spectacular variety shows, lavish costumes, and risqué entertainment that defined Belle Époque Paris. Located on rue Richer, it attracted artists, writers, and pleasure-seekers from all social classes. Chéret's posters were instrumental in building the venue's glamorous reputation and attracting audiences to its innovative productions.\u003c\/p\u003e\n\u003cp\u003eBy 1878, Paris was emerging from the trauma of the Franco-Prussian War and the Paris Commune, entering a period of renewed cultural vitality. Venues like the Folies Bergère and artists like Chéret helped create the joyful, innovative atmosphere that would define the Belle Époque and make Paris the entertainment capital of the world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in this collection carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490452615339,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490452648107,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490452680875,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Screenshot_2025-10-04_171420.png?v=1759612476"},{"product_id":"british-music-hall-singer-harry-fragson-by-emile-tabouret-c-1890","title":"\"Harry Fragson Music Hall Poster by Émile Tabouret 1890,\" remastered in the Elliott Best Studio.","description":"\u003cp\u003eThis vibrant 1890 poster by Émile Tabouret celebrates Harry Fragson, one of the most popular music hall entertainers of the late Victorian and Edwardian eras. Fragson's charm, wit, and musical talent made him a beloved figure on both sides of the Channel, embodying the glamorous world of music hall entertainment at its peak.\u003c\/p\u003e\n\u003cp\u003eBorn Léon Philippe Pot in London to French parents, Harry Fragson (1869-1913) became one of the era's most successful music hall performers. Equally at home in London and Paris, he performed comic songs, sentimental ballads, and witty patter that delighted audiences. His sophisticated style and bilingual repertoire made him a unique bridge between British and French entertainment cultures.\u003c\/p\u003e\n\u003cp\u003eTabouret was a skilled poster artist working during the golden age of chromolithography. His work for music hall performers captured the energy, glamour, and personality that made these entertainers beloved, using bold colors and dynamic compositions to attract audiences and celebrate star power.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490457399467,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490457432235,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490457465003,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Screenshot_2025-10-04_172659.png?v=1759613241"},{"product_id":"gelle-freres-glycerine-tooth-paste-from-the-parisian-perfumery-gelle-freres-by-jules-cheret-1878","title":"Jules Chéret \"Gellé Frères Glycerine 1878,\" remastered in the Elliott Best Studio.","description":"\u003cp\u003eThis delightful 1878 lithograph by Jules Chéret (1836-1932) advertised Glycerine Tooth Paste from Gellé Frères, a prestigious Parisian perfumery located at 6, Avenue de l'Opéra. This poster exemplifies how Chéret transformed mundane commercial advertising into captivating works of art, featuring his signature joyful \"Chérette\" figure that made even toothpaste advertisements.\u003c\/p\u003e\n\u003cp\u003eFounded in 1826, Gellé Frères was one of Paris's most esteemed perfumeries, serving royalty and high society. The product advertised here was formulated by Eug. Devers, \"Chemist Laureate,\" and won a Gold Medal in Paris in 1878—the same year this poster was created. 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An ideal piece for a study, library, or hallway with a sense of heritage.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePrinted on premium archival stock for lasting colour fidelity and museum-quality presentation.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490578346155,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490578378923,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490578411691,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Stubbs_George_1724-1806_-_Dapple_grey_hunter_foxhounds_c.1765_RM.png?v=1782272199"},{"product_id":"john-and-sophia-musters-out-riding-1777-george-stubbs","title":"John \u0026 Sophia Musters out riding 1777, Stubbs, George (1724-1806)","description":"\u003cp\u003ePainted in 1777, \u003cem\u003eJohn and Sophia Musters out Riding,\u003c\/em\u003e is one of George Stubbs's most intimate and accomplished portraits — a scene of aristocratic leisure rendered with the anatomical precision and quiet grandeur that made Stubbs the undisputed master of the horse in 18th-century Britain. Sophia, resplendent in her scarlet riding habit, rides alongside her husband against a sweeping English landscape of pale stone architecture, dramatic clouds, and deep green parkland. Horses, hounds, and figures are composed with the ease of a painter utterly in command of his subject. It is a painting about wealth, beauty, and the pleasures of the English countryside — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eLike many 18th-century oils, the original had suffered the inevitable toll of time: a warm brown haze of yellowed varnish, flattened contrast, and colours dulled to a shadow of their original intensity. Our restoration and remastering process was guided by a single question: \u003cem\u003ewhat might this painting have looked like when Stubbs first stepped back from the easel in 1777?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eYellowing removed\u003c\/strong\u003e — the age-related brown haze was neutralized, recovering the cooler sky blues, clean cloud tones, and pale stone of the architecture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContrast restored\u003c\/strong\u003e — riders, horses, dogs, and building were lifted from the flattened background; figures now read with clarity and depth\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour saturation recovered\u003c\/strong\u003e — Sophia's riding habit returned to a rich scarlet; the chestnut horse regained its warm copper tones; the black horse became a true deep black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAtmospheric perspective clarified\u003c\/strong\u003e — distant trees, the horizon line, and the building gained legibility and depth without artificial sharpening\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCloud structure enhanced\u003c\/strong\u003e — Stubbs loved a dramatic sky; we added volume and luminosity to the clouds so the sky feels three-dimensional and theatrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse anatomy sharpened\u003c\/strong\u003e — muscle groups, necks, shoulders, and hindquarters gained subtle modelling, honouring Stubbs's famous anatomical accuracy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFabric and figure detail improved\u003c\/strong\u003e — the folds of Sophia's red riding dress now catch light convincingly, giving her greater visual presence\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnimal detail enriched\u003c\/strong\u003e — the hounds gained fur texture; horse coats gained sheen; eyes and facial features became more expressive\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThroughout, we resisted the temptation to oversaturate, add artificial texture, or push the image toward hyper-realism. The result still feels unmistakably Stubbs — but with the clarity, colour, and impact the painting deserves.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Originals are printed on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490587291819,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490587324587,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490587357355,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Stubbs_George_1724-1806_-_John_Sophia_Musters_out_riding_1777_RM.png?v=1782320771"},{"product_id":"soldiers-of-the-10th-light-dragoons-1793-george-stubbs","title":"Stubbs, George (1724-1806) - Soldiers of the 10th Light Dragoons 1793","description":"\u003cp\u003ePainted in 1793, \u003cem\u003eSoldiers of the 10th Light Dragoons\u003c\/em\u003e reveals a side of George Stubbs that surprises even those who know his work well: the military portrait. The horse is still the star — a magnificent chestnut, rendered with Stubbs's characteristic anatomical precision — but here it shares the canvas with the full pageantry of Georgian military life: the deep navy coats, white crossbelts, gold-yellow saddlecloth, and bearskin hats of one of Britain's most celebrated cavalry regiments. Stubbs painted the uniforms, equipment, and regimental details with the same careful eye he brought to every muscle and tendon of the horse. The result is a painting of extraordinary richness — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original had suffered the familiar toll of time: a heavy amber cast, flattened contrast, and colours far removed from what Stubbs painted in 1793. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like when it was first exhibited?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering true sky blues, cleaner whites, richer navy blues, and more natural chestnut tones; blue uniforms had appeared grey-green, white crossbelts cream-coloured\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniform detail recovered\u003c\/strong\u003e — braid work, crossbelts, cuffs, collars, hat decorations, and buttons were restored; these details are historically important because Stubbs painted them with surprising accuracy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse anatomy restored\u003c\/strong\u003e — shoulder musculature, neck definition, chest structure, and hindquarter modelling were recovered so the horse once again feels like a living animal rather than a silhouette\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSaddlecloth and tack recovered\u003c\/strong\u003e — the gold-yellow fabric, decorative edging, regimental insignia, and leather strap detail were brought back; this immediately becomes a focal point of the composition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSky colour corrected\u003c\/strong\u003e — blue passages, warm cloud highlights, and subtle atmospheric colour shifts were recovered, dramatically improving depth\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCloud volume increased\u003c\/strong\u003e — tonal range expanded, highlights enhanced, cloud shadows deepened; the sky now feels monumental\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse coat enhanced\u003c\/strong\u003e — richer chestnut colouration, coat sheen, muscle transitions, and reflected light were added, inspired by how Stubbs's best horse paintings look in person\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFigure separation improved\u003c\/strong\u003e — edge clarity, contrast, and colour separation were refined so each soldier now reads individually rather than blending into the group\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape depth expanded\u003c\/strong\u003e — more visible hills, clearer atmospheric perspective, and a stronger horizon line make the painting feel larger and more spacious\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — deeper blacks, brighter whites, and cleaner colour relationships, while maintaining an 18th-century appearance throughout\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe single biggest transformation is the \u003cstrong\u003econtrast between the uniforms and the sky\u003c\/strong\u003e. In the original, everything occupies roughly the same tonal range and the figures appear slightly submerged in the atmosphere. In the remaster, the white crossbelts become crisp, the dark bearskin hats gain volume, the blue coats regain authority, and the figures stand proudly against the clouds — exactly as a military portrait is supposed to look.\u003c\/p\u003e\n\u003cp\u003eThroughout, we preserved Stubbs's composition, the proportions of the horse, the military uniforms, and the colour relationships he intended. No modernization. No cinematic effects. No fantasy atmosphere. 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Where Stubbs is remembered chiefly as a horse painter, this painting reveals the full breadth of his genius: the stag and hind are rendered with the same anatomical precision and painterly reverence he brought to his equestrian portraits, set against a luminous English woodland of oak, dappled light, and deep atmospheric distance. It is a painting about the dignity of wild creatures in their natural habitat — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original reproduction carried the familiar toll of time: a heavy yellow-brown veil, compressed shadows, and colours dulled far from what Stubbs painted in 1792. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like when Stubbs first stepped back from the easel?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBrown\/amber cast removed\u003c\/strong\u003e — the yellow-brown veil was lifted, recovering cooler sky blues, subtle pink-grey clouds, more natural deer colouration, and cleaner atmospheric depth\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail recovered\u003c\/strong\u003e — information lost in the dark areas beneath the trees, around the trunks, and under the deer was reopened so forms become visible again\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeer anatomy restored\u003c\/strong\u003e — muscle definition, shoulder structure, neck transitions, and facial modelling were recovered so the stag and hind feel genuinely alive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAntlers clarified\u003c\/strong\u003e — edges sharpened, contrast increased, and the ivory colour recovered — without making them look artificially sharp\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape depth corrected\u003c\/strong\u003e — foreground, middle ground, and background were separated again, dramatically increasing the sense of depth and space\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSky drama enhanced\u003c\/strong\u003e — cloud volume increased, subtle sunlight effects introduced, and tonal range expanded so the sky feels larger and more luminous\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFoliage complexity added\u003c\/strong\u003e — the tree canopy, originally a series of dark masses, gained leaf separation, branch visibility, and light filtering through the foliage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFur rendering improved\u003c\/strong\u003e — the deer coats now show directional fur texture, highlights along the back, and more realistic transitions around the neck and shoulders\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLighting modelled\u003c\/strong\u003e — stronger highlights, deeper shadows, and better form modelling make the deer feel genuinely three-dimensional\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCinematic dynamic range added\u003c\/strong\u003e — richer blacks, brighter highlights, and stronger colour separation, while fully respecting the character of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe single biggest transformation is the \u003cstrong\u003eoak tree\u003c\/strong\u003e. In the original it reads as a dark silhouette; in the remaster, the branching structure emerges, individual foliage masses separate, and light moves through the canopy. The tree becomes a character in the painting — which is entirely in keeping with Stubbs, who was as gifted a landscape painter as he was an animal painter. Restoring that tree recovers the balance he intended between the creatures and their world.\u003c\/p\u003e\n\u003cp\u003eThe result is faithful to Stubbs's composition and intent, but optimized for modern display, large-format printing, and contemporary viewing. It still feels unmistakably like George Stubbs — but with 230 years of dust, fading, yellowed varnish, and poor reproductions stripped away.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490590896299,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490590929067,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490590961835,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/ChatGPT_Image_Jun_24_2026_01_18_31_PM.png?v=1782321606"},{"product_id":"stubbs-george-1724-1806-water-spaniel-dog-1804","title":"Stubbs, George (1724-1806) - Water spaniel dog 1804","description":"\u003cp\u003ePainted in 1804, just two years before his death, \u003cem\u003eWater Spaniel\u003c\/em\u003e is one of George Stubbs's most tender and intimate works — a portrait of a dog rendered with the same anatomical precision and quiet reverence he brought to his celebrated horses. By the early 19th century, Stubbs had spent decades studying the natural world with a scientist's rigour and a poet's eye, and it shows: the spaniel's curling coat, alert expression, and easy confidence are captured with a warmth that transcends mere animal painting. This is a portrait of a companion, a working dog, and a creature of genuine character — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eLike many late 18th and early 19th-century oils, the original had accumulated the familiar toll of time: yellowed varnish, compressed tones, and colours dulled far from what Stubbs painted in 1804. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like when Stubbs first stepped back from the easel?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering the cooler tones of the background, cleaner highlights in the coat, and more natural colouration throughout\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoat detail recovered\u003c\/strong\u003e — the spaniel's characteristic curling, wavy fur was restored with directional texture, sheen, and the subtle colour variation between wet and dry sections of the coat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail reopened\u003c\/strong\u003e — information lost in the darker areas of the fur and background was recovered, giving the dog genuine three-dimensional form\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFacial expression clarified\u003c\/strong\u003e — the eyes, muzzle, and facial modelling were sharpened so the spaniel's alert, intelligent character reads clearly\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBackground depth restored\u003c\/strong\u003e — the landscape setting was separated from the figure, recovering atmospheric distance and making the dog read as a solid, present form against its environment\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour saturation recovered\u003c\/strong\u003e — the warm liver and white tones of the coat were brought back to their original richness\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLighting modelled\u003c\/strong\u003e — stronger highlights along the back and shoulders, deeper shadows beneath, and better overall form modelling make the dog feel genuinely alive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — richer blacks, brighter highlights, and stronger colour separation, while fully respecting the character of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe result is faithful to Stubbs's composition and intent, but optimized for modern display, large-format printing, and contemporary viewing. It still feels unmistakably like George Stubbs — but with over 200 years of dust, fading, and yellowed varnish stripped away.\u003c\/p\u003e\n\u003cp\u003ePerfect for dog lovers, sporting art collectors, country house libraries, and anyone who appreciates the quiet mastery of one of Britain's greatest animal painters at the very end of his remarkable career.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490594271403,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490594304171,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490594336939,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/ChatGPTImageJun24_2026_03_19_17PM.png?v=1782332052"},{"product_id":"duke-of-richmonds-racehorses-at-goodwood-george-stubbs","title":"Stubbs, George (1724-1806) - Duke of Richmond's racehorses at Goodwood 1760-1","description":"\u003cp\u003ePainted around 1760–1761, \u003cem\u003eThe Duke of Richmond's Racehorses at Goodwood\u003c\/em\u003e is one of George Stubbs's most ambitious early commissions — a sweeping panorama of aristocratic sporting life set against the rolling Sussex Downs. The Duke of Richmond was one of the great patrons of 18th-century British sport, and Goodwood was his stage: a private racecourse of extraordinary beauty where the finest thoroughbreds in England were trained and raced. Stubbs captures the scene with the precision of a naturalist and the eye of a painter at the height of his powers — horses, jockeys, grooms, and the open landscape all held in perfect compositional balance. It is a painting about speed, wealth, and the golden age of the English thoroughbred — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original had accumulated the familiar toll of time: yellowed varnish, flattened contrast, and colours far removed from what Stubbs painted in 1760. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like when it first hung in the Duke of Richmond's collection?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering the luminous Sussex sky, cleaner greens of the Downs, and the true colours of the jockeys' silks and horses' coats\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse anatomy sharpened\u003c\/strong\u003e — muscle definition, neck and shoulder structure, and the distinctive conformation of each thoroughbred were recovered, honouring Stubbs's famous anatomical precision\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJockey silks restored\u003c\/strong\u003e — the colours of the racing silks, dulled by age, were brought back to their original vividness, giving each figure a distinct identity within the composition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail reopened\u003c\/strong\u003e — information lost in the darker areas of the horses' coats and the foreground was recovered, restoring genuine three-dimensional form\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape depth corrected\u003c\/strong\u003e — the rolling Downs, the middle distance, and the horizon were separated and clarified, dramatically increasing the sense of space and air\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSky drama enhanced\u003c\/strong\u003e — cloud volume increased, tonal range expanded, and subtle atmospheric light introduced so the Sussex sky feels open and luminous\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoat sheen and texture recovered\u003c\/strong\u003e — the thoroughbreds' coats gained the sheen and subtle colour variation that distinguishes a Stubbs horse from any other painter's\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — richer blacks, brighter highlights, and stronger colour separation, while fully respecting the character of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe result is faithful to Stubbs's composition and intent, but optimized for modern display, large-format printing, and contemporary viewing. It still feels unmistakably like George Stubbs — but with over 260 years of dust, fading, and yellowed varnish stripped away.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490597974187,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490598006955,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490598039723,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/ChatGPT_Image_Jun_24_2026_03_22_14_PM.png?v=1782332893"},{"product_id":"huntsmen-setting-out-from-southill-george-stubbs","title":"Stubbs, George (1724-1806) - Huntsmen setting out from Southill 1763-8","description":"\u003cp\u003ePainted between 1763 and 1768, \u003cem\u003eHuntsmen Setting Out from Southill\u003c\/em\u003e captures one of the defining rituals of Georgian aristocratic life — the moment before the hunt begins, when horses are fresh, hounds are eager, and the morning light falls across the English countryside with a clarity that only Stubbs could render. Southill Park in Bedfordshire was the seat of the Whitbread family, and this commission places Stubbs at the heart of the great country house tradition: a painter trusted to record not just the horses and hounds, but the entire social world of the English sporting estate. The composition is a masterclass in controlled energy — riders, mounts, and dogs all poised on the threshold of action, held in perfect balance by Stubbs's extraordinary eye.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original had accumulated the familiar toll of time: yellowed varnish, compressed tones, and colours far removed from what Stubbs painted in the 1760s. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like on the morning it was first unveiled?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering the cool morning light, cleaner sky tones, and the true colours of the huntsmen's coats and horses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse anatomy sharpened\u003c\/strong\u003e — muscle definition, neck and shoulder structure, and the individual character of each mount were recovered, honouring Stubbs's anatomical precision\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHuntsmen's coats restored\u003c\/strong\u003e — the rich reds and details of the hunting dress, dulled by age, were brought back to their original vividness\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHound detail recovered\u003c\/strong\u003e — the pack's individual forms, fur texture, and movement were clarified so the hounds read as living animals rather than a mass\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail reopened\u003c\/strong\u003e — information lost in the darker areas of the horses' coats, the foreground, and the tree shadows was recovered, restoring genuine depth and form\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape depth corrected\u003c\/strong\u003e — the parkland, middle distance, and horizon were separated and clarified, dramatically increasing the sense of space and English morning air\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSky and light enhanced\u003c\/strong\u003e — cloud volume increased and the quality of early morning light was recovered, giving the scene the freshness and anticipation of a hunt morning\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — richer blacks, brighter highlights, and stronger colour separation, while fully respecting the character of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Collectors Love It\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eA defining image of Georgian sporting life — the hunt morning captured at its most poised and atmospheric\u003c\/li\u003e\n\u003cli\u003eHorses, hounds, and huntsmen in perfect compositional balance, set against the English parkland Stubbs loved\u003c\/li\u003e\n\u003cli\u003eMeticulously restored and remastered to recover the painting's original freshness, colour, and depth\u003c\/li\u003e\n\u003cli\u003ePrinted on premium archival museum stock for exceptional colour fidelity and longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490600104107,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490600136875,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490600169643,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/ChatGPT_Image_Jun_24_2026_03_21_50_PM.png?v=1782333228"},{"product_id":"john-musters-and-rev-storey-1771-george-stubbs","title":"Stubbs, George (1724-1806) - John Musters \u0026 Rev Storey 1771","description":"\u003cp\u003ePainted in 1771, \u003cem\u003eJohn Musters and the Reverend Storey\u003c\/em\u003e is one of George Stubbs's most quietly compelling double portraits — two gentlemen on horseback, at ease in the English landscape, their horses rendered with the anatomical mastery that made Stubbs the most sought-after equestrian painter of his age. John Musters of Colwick Hall, Nottinghamshire, was a prominent figure in the Midlands sporting world, and this commission speaks to the deep bond between Stubbs and the landed gentry who were his greatest patrons. The composition is intimate without being small: two men, two horses, a sweep of English parkland, and a sky that Stubbs has made entirely his own. It is a painting about companionship, status, and the pleasures of the English countryside — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original had accumulated the familiar toll of time: yellowed varnish, flattened contrast, and colours far removed from what Stubbs painted in 1771. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like when it first hung at Colwick Hall?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering the cooler tones of the sky, cleaner greens of the parkland, and the true colours of the gentlemen's coats and horses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse anatomy sharpened\u003c\/strong\u003e — muscle definition, neck and shoulder structure, and the individual character of each mount were recovered, honouring Stubbs's anatomical precision\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFigure detail restored\u003c\/strong\u003e — the coats, waistcoats, and riding dress of both men were clarified, giving each figure greater presence and individuality within the composition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail reopened\u003c\/strong\u003e — information lost in the darker areas of the horses' coats and the foreground was recovered, restoring genuine three-dimensional form\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape depth corrected\u003c\/strong\u003e — the parkland, middle distance, and horizon were separated and clarified, dramatically increasing the sense of space and English air\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSky drama enhanced\u003c\/strong\u003e — cloud volume increased, tonal range expanded, and the quality of afternoon light recovered so the sky feels open and alive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoat sheen and texture recovered\u003c\/strong\u003e — the horses' coats gained the sheen, muscle transitions, and subtle colour variation that distinguish a Stubbs horse from any other painter's\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — richer blacks, brighter highlights, and stronger colour separation, while fully respecting the character of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe result is faithful to Stubbs's composition and intent, but optimized for modern display, large-format printing, and contemporary viewing. It still feels unmistakably like George Stubbs — but with over 250 years of dust, fading, and yellowed varnish stripped away.\u003c\/p\u003e\n\u003ch3\u003eWhy Collectors Love It\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eA rare and intimate Stubbs double portrait — two gentlemen, two horses, and the English landscape at its most serene\u003c\/li\u003e\n\u003cli\u003eThe easy companionship of the figures and the quality of the parkland light make this one of Stubbs's most approachable and human compositions\u003c\/li\u003e\n\u003cli\u003eMeticulously restored and remastered to recover the painting's original warmth, colour, and depth\u003c\/li\u003e\n\u003cli\u003ePrinted on premium archival museum stock for exceptional colour fidelity and longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePerfect For\u003c\/h3\u003e\n\u003cp\u003ePerfect for equestrian enthusiasts, sporting art collectors, country houses, and anyone drawn to the quiet elegance of 18th-century English portraiture and the landscapes Stubbs made his own.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490602660011,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490602692779,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490602725547,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/ChatGPT_Image_Jun_24_2026_03_21_25_PM.png?v=1782333678"},{"product_id":"the-melbourne-and-milbanke-families-george-stubbs","title":"Stubbs, George (1724-1806) - The Melbourne \u0026 Milbanke families 1769-70","description":"\u003cp\u003ePainted between 1769 and 1770, \u003cem\u003eThe Melbourne and Milbanke Families\u003c\/em\u003e is one of George Stubbs's most ambitious and socially significant works — a sweeping conversation piece that brings together two of the great aristocratic families of Georgian England in a single, masterfully composed scene. The Melbournes and Milbankes were connected by marriage and by the world of politics, society, and sport that defined the English upper class in the age of George III. Stubbs places them in the open landscape with the ease and authority of a painter entirely in command of his subject: horses, carriages, figures on foot and on horseback, all arranged with a naturalness that belies the extraordinary compositional skill required to hold so many elements in balance. It is a painting about family, alliance, and the confident display of aristocratic life — and it has never looked better than it does now.\u003c\/p\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original had accumulated the familiar toll of time: yellowed varnish, flattened contrast, and colours far removed from what Stubbs painted in 1769–70. Our work was guided by a single question: \u003cem\u003ewhat did this painting look like when it first hung in the Melbourne family collection?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering the luminous sky, cleaner landscape greens, and the true colours of the figures' dress and the horses' coats\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHorse anatomy sharpened\u003c\/strong\u003e — muscle definition, neck and shoulder structure, and the individual character of each horse were recovered, honouring Stubbs's anatomical precision\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFigure and costume detail restored\u003c\/strong\u003e — the silks, riding habits, coats, and accessories of the assembled family members were clarified, giving each figure distinct identity and presence within the group\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarriage and tack detail recovered\u003c\/strong\u003e — the paintwork, metalwork, and harness of the carriage were restored, adding a further layer of period richness to the composition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail reopened\u003c\/strong\u003e — information lost in the darker areas of the horses' coats, the foreground, and the figures in shadow was recovered, restoring genuine three-dimensional form\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLandscape depth corrected\u003c\/strong\u003e — the parkland, middle distance, and horizon were separated and clarified, dramatically increasing the sense of space and English air\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSky drama enhanced\u003c\/strong\u003e — cloud volume increased, tonal range expanded, and the quality of afternoon light recovered so the sky feels open, luminous, and alive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — richer blacks, brighter highlights, and stronger colour separation, while fully respecting the character of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePerfect for cCollectors of Georgian portraiture and sporting art, country houses, and anyone captivated by the elegance, ambition, and social world of 18th-century English aristocratic life.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490608394411,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490608427179,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490608459947,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/ChatGPT_Image_Jun_24_2026_03_18_29_PM.png?v=1782334133"},{"product_id":"whistlejacket-george-stubbs","title":"Stubbs, George (1724-1806) - Whistlejacket","description":"\u003cp\u003ePainted around 1762, \u003cem\u003eWhistlejacket\u003c\/em\u003e is not merely George Stubbs's greatest work — it is one of the most extraordinary paintings in the history of Western art. A chestnut thoroughbred, life-sized, rearing against a plain ground of unfinished canvas. No landscape. No rider. No context. Just the horse, in all its muscular, electric, barely-contained power, filling the picture plane with a presence that stops you cold. Whistlejacket was a real horse — a champion racehorse owned by the Marquess of Rockingham — and Stubbs painted him as no horse had ever been painted before: not as a symbol of his owner's wealth or status, but as an individual, a personality, a creature of genuine greatness. The painting now hangs in the National Gallery, London, where it has astonished visitors for generations. It is the painting that proves, beyond any argument, that George Stubbs was one of the supreme painters of any era.\u003c\/p\u003e\n\u003ch3\u003eWhy Whistlejacket Stops You\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe scale is overwhelming\u003c\/strong\u003e — at nearly three metres tall in the original, Whistlejacket is life-sized; even in reproduction, the horse commands the room\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe plain ground is a masterstroke\u003c\/strong\u003e — by stripping away landscape and context, Stubbs forces you to confront the horse alone; there is nothing to look at but Whistlejacket, and Whistlejacket is enough\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe anatomy is flawless\u003c\/strong\u003e — Stubbs spent eighteen months dissecting horses to write \u003cem\u003eThe Anatomy of the Horse\u003c\/em\u003e (1766); every muscle, tendon, and vein in this painting is the result of that extraordinary scientific labour\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe personality is unmistakable\u003c\/strong\u003e — this is not a generic horse; this is \u003cem\u003ethis\u003c\/em\u003e horse, with this temperament, this fire, this particular way of holding his head; Stubbs saw Whistlejacket as an individual and painted him as one\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe colour is unforgettable\u003c\/strong\u003e — the chestnut coat, the cream ground, the play of light across the horse's flank; it is a composition of extraordinary restraint and extraordinary beauty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRestoration \u0026amp; Remastering\u003c\/h3\u003e\n\u003cp\u003eThe original had accumulated the familiar toll of time: yellowed varnish, compressed tones, and colours dulled from what Stubbs painted in 1762. Our work was guided by a single question: \u003cem\u003ewhat did Whistlejacket look like when the Marquess of Rockingham first saw him on the canvas?\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVarnish yellowing removed\u003c\/strong\u003e — the amber cast was lifted, recovering the warmth and clarity of the chestnut coat and the luminous quality of the plain ground\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoat colour and sheen restored\u003c\/strong\u003e — the rich copper-chestnut tones were brought back to their original depth, with the coat sheen and reflected light that make the horse feel genuinely alive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMuscle definition sharpened\u003c\/strong\u003e — the extraordinary anatomical detail — the shoulder, the haunches, the neck, the tendons of the legs — was clarified so Stubbs's scientific mastery reads with full force\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShadow detail reopened\u003c\/strong\u003e — the darker areas of the coat, the underside of the belly, and the shadows of the legs were recovered, giving the horse genuine three-dimensional volume\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGround tone balanced\u003c\/strong\u003e — the plain background was carefully balanced so it reads as the luminous, almost golden neutral Stubbs intended, not as a flat or muddy void\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range increased\u003c\/strong\u003e — richer blacks in the mane and tail, brighter highlights along the back and shoulder, and stronger tonal separation throughout, while fully respecting the restraint of the original\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe result is faithful to Stubbs's composition and intent, but optimized for modern display, large-format printing, and contemporary viewing. Whistlejacket still feels like the painting in the National Gallery — but with 260 years of dust, fading, and yellowed varnish stripped away.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe most iconic horse painting ever made — a work that belongs in the conversation with the greatest paintings in Western art\u003c\/li\u003e\n\u003cli\u003eUtterly commanding at any size — Whistlejacket fills a room the way few images can\u003c\/li\u003e\n\u003cli\u003eMeticulously restored and remastered to recover the painting's original fire, colour, and anatomical brilliance\u003c\/li\u003e\n\u003cli\u003ePrinted on premium archival museum stock for exceptional colour fidelity and longevity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePerfect for anyone who loves horses, great painting, or simply wants the most powerful image in the history of equestrian art on their wall. Whistlejacket needs no explanation. It just needs space.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eElliott Best Remastered prints are produced on premium archival museum stock for the finest colour fidelity and longevity.\u003c\/em\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490610524331,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490610557099,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490610589867,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/Whistlejacket_RM.png?v=1782343269"},{"product_id":"southampton-to-new-york","title":"Southampton to New York — SS Normandie Vintage Travel Poster","description":"\u003cp\u003eThere was a time when crossing the Atlantic wasn't merely a journey — it was an event. The SS Normandie, the crown jewel of the French Line, made the Southampton–New York crossing the most glamorous voyage in the world. Art Deco salons, Michelin-starred dining, and a hull that sliced through the North Atlantic faster than any ship before her. This vintage travel poster captures that era of effortless, oceanic grandeur in all its bold, graphic glory.\u003c\/p\u003e\n\u003cp\u003eThe SS Normandie was l\u003cspan style=\"font-size: 0.875rem;\"\u003eaunched in 1932 and entering service in 1935, the Normandie was the largest and fastest ocean liner of her time. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA floating masterpiece of Art Deco design — her interiors were commissioned from France's greatest artists and craftsmen. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eShe held the Blue Riband for the fastest Atlantic crossing, completing the Southampton–New York run in under four days. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eWidely regarded as the most beautiful ocean liner ever built — a legend that has never been surpassed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMeticulously restored from the original, with colours revived and details sharpened — printed on premium archival stock so the drama of the open Atlantic can live on your wall for generations.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in this collection carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490658889899,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490658922667,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490658955435,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"restored-canaletto","title":"Canaletto (1697–1768) — London, Ranelagh, Interior of the Rotunda 1754","description":"\u003cp\u003eIn 1754, Canaletto turned his incomparable eye from the canals of Venice to the gilded interior of Ranelagh's famous Rotunda — and captured Georgian London at its most dazzling. Candlelit chandeliers cast a warm amber glow across the soaring circular hall as elegantly dressed figures promenade, converse, and revel in the spectacle of one of the 18th century's great pleasure gardens.\u003c\/p\u003e\n\u003cp\u003eOpened in 1742 in Chelsea, Ranelagh Gardens was the most fashionable pleasure garden of its age — a place where dukes and duchesses, artists and adventurers mingled beneath the great domed Rotunda. Mozart performed here as a child. Horace Walpole called it \"the most beautiful building under heaven.\" Canaletto's painting is the definitive record of this lost world.\u003c\/p\u003e\n\u003cp\u003eThis original masterwork has been meticulously restored and remastered — colours deepened, details sharpened, and the full warmth of Canaletto's palette brought back to life — ready to command any wall with the authority of a museum original.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490659938475,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490659971243,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490660004011,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/d3a81160-5aba-11f1-8b88-6540171e4b42.jpg?v=1782583005"},{"product_id":"gainsborough-remaster","title":"Thomas Gainsborough Mr. and Mrs. Andrews c.1750 — An Unfinished Masterpiece, Reimagined — Limited Edition of 100","description":"\u003ch2\u003eAn Enduring Mystery — An Elliott Best Interpretation After Gainsborough\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStrictly limited to 100 prints across all sizes, each signed and hand-numbered. Each limited edition artwork arrives with our certificate of authenticity, plus a history of the artist, the painting, and the restoration and remastering techniques used.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eOne of Art History's Great Unfinished Questions\u003c\/h3\u003e\n\u003cp\u003ePainted around 1750, \u003cem\u003eMr. and Mrs. Andrews\u003c\/em\u003e is one of Thomas Gainsborough's most celebrated works — and one of the great mysteries in British art. More than 275 years later, one intriguing detail remains unresolved: the unfinished space on Mrs. Andrews' lap. Gainsborough left it bare, and the truth of what he intended has been lost to history.\u003c\/p\u003e\n\u003cp\u003eFor generations, art historians have debated what belonged there. A game bird from the day's hunt. A child. A piece of embroidery. A fashionable accessory. No one knows. And that open question has made this painting endlessly fascinating — a masterpiece with a secret at its heart.\u003c\/p\u003e\n\u003ch3\u003eIn conversation with Thomas Gainsborough, we chose the pheasant.\u003c\/h3\u003e\n\u003cp\u003eOne longstanding theory suggests a pheasant. A brown brushstroke has been interpreted as a hint of tail feathers, while Mr. Andrews's gun and hunting dog give the idea its context. Scholars disagree. We chose to explore it.\u003c\/p\u003e\n\u003cp\u003eNot because we know it was his intention — but because, after living with the painting and remastering it in our studio, it felt like the most natural conclusion to the story he began over two and a half centuries ago. Rather than rewriting history, we offer our own interpretation to one of art history's most enduring conversations.\u003c\/p\u003e\n\u003ch3\u003eBrilliance Recovered\u003c\/h3\u003e\n\u003cp\u003eThrough digital remastering, our studio revisited the painting's colour and detail, reviving the luminosity that time gradually concealed: the luminous blue silk of Mrs. Andrews' dress, the golden harvest fields, the shifting Suffolk summer sky and the rich textures of the English landscape. Printed on premium archival museum stock for a presentation worthy of the original.\u003c\/p\u003e\n\u003ch3\u003eElliott Best Limited Edition\u003c\/h3\u003e\n\u003cp\u003eThis work is issued as a strict limited edition of 100 prints across all sizes. Each copy is:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-numbered\u003c\/strong\u003e — Your print bears its own edition number, from 1\/100 to 100\/100, permanently identifying its place within the edition\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHand-signed by the Studio artist\u003c\/strong\u003e — A personal signature from the artist behind this interpretation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccompanied by our Certificate of Authenticity\u003c\/strong\u003e — Recording your edition number, the artist's signature, the edition size and our no-reprint commitment\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFully documented\u003c\/strong\u003e — With a history of the artist, the painting, and the restoration and remastering techniques used\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGuaranteed finite\u003c\/strong\u003e — When the edition closes, it closes for good: no reprints, in any size, ever\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA talking point for collectors of British art and Georgian Old Masters.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490668097707,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490668130475,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490668163243,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/21328210-742b-11f1-a92e-ed75460b5b6c.jpg?v=1782786737"},{"product_id":"spring-garden-1920s","title":"Spring Garden — 1920s Art Deco Illustration Remastered","description":"\u003cp\u003eThe 1920s did not merely change fashion — they changed what it meant to be a woman. The bob haircut was a declaration of independence as much as a style choice: modern, unencumbered, and entirely self-possessed. The blue dress, the dappled shade of a garden tree, the stylized ease of the pose — this image distils the spirit of an era that threw off the constraints of the Victorian age and never looked back. It is a portrait of a moment when youth, beauty, and modernity felt like the same thing.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShe sits beneath the tree with the unhurried confidence of someone entirely at ease in her own skin. The bob frames her face with geometric precision; the blue dress pools around her with the easy grace of a woman who has nothing to prove. The stylized forms of the branches above, the flat planes of colour, the composed elegance of the whole — this is illustration as a fine art, and it is as fresh today as the spring morning it depicts.\u003c\/p\u003e\n\u003cp\u003eOur studio restoration has returned this illustration to the crisp, vivid colour its original artist intended. Decades of fading and tonal drift have been carefully corrected to restore the full luminosity of the blue dress, the warmth of the garden light, and the precise elegance of the linework. Printed on premium archival museum stock for a presentation worthy of the original's beauty.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490678091947,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490678124715,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490678157483,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/0f8f3480-71a2-11f1-96a7-d345f82a1314.jpg?v=1782583743"},{"product_id":"benedictine-liquor-poster","title":"Bénédictine Liqueur Vintage Advertising Poster c.1900s — Belle Époque Remastered","description":"\u003cp\u003eFew liqueurs carry a story as rich as Bénédictine. Born in the Abbey of Fécamp in Normandy, its recipe of twenty-seven herbs and spices was said to date to a sixteenth-century Benedictine monk, and its revival in the nineteenth century made it one of the most celebrated spirits in Europe. By the Belle Époque, Bénédictine was synonymous with refinement, mystery, and the pleasures of a well-lived evening — and its advertising posters were among the most evocative of the age. This one is no exception.\u003c\/p\u003e\n\u003cp\u003eShe sits on a ledge, a lamp held aloft, gazing out over the rooftops of a town settling into night. The composition is intimate and contemplative — a private moment of stillness and light in the gathering dusk. The lamp she holds echoes the warmth of the liqueur itself: amber, glowing, a comfort against the dark. It is an image of quiet luxury, of evenings that linger, of pleasures taken slowly and savoured completely.\u003c\/p\u003e\n\u003cp\u003eBelle Époque poster artists understood that the best advertising told a story; this image invites the viewer into a world, not merely a product. And t\u003cspan style=\"font-size: 0.875rem;\"\u003ehe feminine ideal as aspiration;\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e the elegant woman of the 1900s poster was a figure of independence, taste, and modernity — the perfect ambassador for a liqueur of distinction\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur studio restoration has returned this poster to the warm, luminous tones its original lithographers intended. Decades of fading, foxing, and colour drift have been carefully corrected to restore the full atmospheric depth of the composition — the glow of the lamp, the soft night sky, the distant lights of the town below. Printed on premium archival museum stock for a presentation that honours the original's quiet beauty.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490682679467,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490682712235,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490682745003,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/14a4bd10-71a1-11f1-96a7-d345f82a1314.jpg?v=1782782549"},{"product_id":"fiat","title":"Fiat Vintage Advertising Poster c.1930s — Art Deco Motoring Remastered","description":"\u003cp\u003eIn the 1930s, the automobile was still a marvel — a symbol of freedom, modernity, and daring. Fiat, already one of Europe's great marques, was competing on the world's most demanding roads: the Mille Miglia, the Targa Florio, the circuits of a continent in love with speed. Their advertising reflected that ambition. This poster is a document of that extraordinary moment — when motoring was an adventure, design was everything, and a red Fiat on an open road was the very image of the modern world.\u003c\/p\u003e\n\u003cp\u003eThe white zigzag carries the eye from the authoritative Fiat logo down to the red car below — a visual road that the car seems already to be travelling. The composition is spare and electric. There is nothing superfluous here: just the brand, the car, and the irresistible suggestion of speed. It is as immediate today as the day it was printed.\u003c\/p\u003e\n\u003cp\u003eOur studio restoration has returned this poster to the vivid, high-contrast brilliance of its original 1930s print run. Decades of colour shift, fading, and surface degradation have been carefully corrected to restore the full graphic punch of the red, white, and black palette. Printed on premium archival museum stock for a presentation worthy of the original's ambition.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in our \u003ca href=\"https:\/\/elliottbest.com\/collections\/poster-art-a-celebration-of-culture-and-style\"\u003eVintage Advertising collection\u003c\/a\u003e carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490684350635,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490684383403,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490684416171,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/3e468b80-71a1-11f1-96a7-d345f82a1314.jpg?v=1782583926"},{"product_id":"batsmari-cigarettes","title":"Batschari Cigarettes Baden-Baden Vintage Advertising Poster c.1900s — Remastered","description":"\u003cp\u003eAt the turn of the twentieth century, Baden-Baden was one of Europe's most glamorous destinations — a spa town of grand hotels, casino culture, and aristocratic leisure. It was here that the Batschari cigarette manufactory (\u003cem\u003eFabrik\u003c\/em\u003e) established its reputation for producing cigarettes of exceptional quality, and it was here that they commissioned some of the most striking advertising art of the Belle Époque. This poster is a masterpiece of that tradition: a woman in black, silhouetted against a blazing yellow ground, commanding attention with the effortless authority of a Jugendstil icon.\u003c\/p\u003e\n\u003cp\u003eThe composition is deceptively simple and utterly assured. The figure in black occupies the frame with complete authority — her silhouette crisp and modern against the luminous yellow ground. There is no clutter, no hesitation. This is graphic design that understood, a century before the term existed, the power of negative space and the drama of a single, perfectly chosen colour. It is as contemporary as it is historical.\u003c\/p\u003e\n\u003cp\u003eOur studio restoration has returned this poster to the vivid, high-contrast brilliance its original lithographers achieved. Age-related fading, foxing, and tonal drift have been carefully corrected to restore the full electric impact of the yellow ground and the depth of the black figure. Printed on premium archival museum stock for a presentation that honours the original's graphic ambition.\u003c\/p\u003e\n\u003cp\u003ePerfect For \u003cspan style=\"font-size: 0.875rem;\"\u003eCollectors of Belle Époque, Art Nouveau, and Jugendstil advertising art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490690576555,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490690609323,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490690642091,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/8ecba4a0-71a1-11f1-96a7-d345f82a1314.jpg?v=1782584049"},{"product_id":"travel-poster","title":"Burns Philp \u0026 Co. 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It is the kind of image that makes you want to book a passage immediately — which, of course, was precisely the point.\u003c\/p\u003e\n\u003cp\u003eOur studio restoration has returned this poster to the vivid, saturated colour its original lithographers intended. Decades of fading, foxing, and tonal drift have been carefully corrected, revealing the full graphic impact of the original design. Printed on premium archival stock, this remaster is built to last — and to be admired.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery piece in this collection carries a history worth knowing.\u003ca href=\"https:\/\/elliottbest.com\/blogs\/test\/the-art-of-vintage-advertising\"\u003e Read about the golden age of advertising art and the artists who made it. \u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490694934699,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490694967467,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490695000235,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/677cedf0-71a1-11f1-96a7-d345f82a1314.jpg?v=1782584330"},{"product_id":"hunting-dogs-stubbs","title":"George Stubbs Five Staghounds in a Landscape c.1760 — Remastered","description":"\u003cp\u003e\u003cstrong\u003eGeorgian England, 1760 — The Age of the Sporting Gentleman.\u003c\/strong\u003e In mid-eighteenth century England, the hunt was not merely sport — it was theatre, status, and ritual. The great estates of the aristocracy were measured in part by the quality of their hounds, and no painter understood this world more intimately than George Stubbs. Trained as an anatomist before he was celebrated as an artist, Stubbs brought to the animal kingdom a precision and empathy that no painter before him had achieved. \u003cem\u003eFive Staghounds in a Landscape\u003c\/em\u003e is a masterclass in that rare combination: scientific rigour and genuine tenderness.\u003c\/p\u003e\n\u003cp\u003eWhat makes \u003cem\u003eFive Staghounds in a Landscape\u003c\/em\u003e so compelling is Stubbs's refusal to treat the hounds as a pack. Each dog is an individual — a distinct personality rendered with the same care a portraitist would give a duke. The soft English light, the open landscape, the easy confidence of the animals at rest: this is a painting that rewards close looking. The longer you spend with it, the more you see.\u003c\/p\u003e\n\u003cp\u003eOur studio restoration returns this work to the clarity and warmth Stubbs intended. Working from the finest archival sources, we have corrected tonal drift, surface yellowing, and age-related degradation to reveal the full luminosity of Stubbs's palette — the cool greens of the landscape, the warm tawny coats of the hounds, the soft English sky. Printed on premium archival museum stock for a presentation worthy of the original.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490697687211,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490697719979,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490697752747,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/677b5bc0-71ab-11f1-aab7-270c39bbbdf7_e2c17f3e-3fad-4d43-b69f-27eec99e3cfe.jpg?v=1782765491"},{"product_id":"aerotransport-swedish-air-lines-vintage-aviation-poster","title":"Aerotransport Swedish Air Lines — Vintage Aviation Poster c. 1940s","description":"\u003cp\u003eBefore jet travel became routine, flying was an event — a glamorous, daring leap into modernity. This beautifully remastered Aerotransport Swedish Air Lines poster captures that golden age of aviation in full: bold graphic design, confident typography, and the unmistakable optimism of a world discovering that the sky was no longer a limit.\u003c\/p\u003e\n\u003cp\u003eFounded in 1924 and later absorbed into Scandinavian Airlines (SAS), Aerotransport was Sweden's pioneering national carrier — connecting a Nordic nation to the wider world at a time when air travel was still the province of the adventurous and the ambitious. Their promotional posters were works of art in their own right: clean, modernist, and radiating the confidence of a new era.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eOur archival restoration process brings this vintage original back to life — correcting fading, sharpening detail, and reproducing the full vibrancy of the source artwork. 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Brown — never one to shy from the human condition — turned his unflinching gaze on a young Irish woman, rendering her not as a symbol of poverty or pity, but as a figure of quiet dignity and inner strength. It is a portrait that asks to be looked at slowly.\u003c\/p\u003e\n\u003cp\u003eFord Madox Brown was a \u003cspan style=\"font-size: 0.875rem;\"\u003efounding influence of the Pre-Raphaelite Brotherhood. He championed truth to nature and moral seriousness in an era of academic convention. \u003c\/span\u003eHis meticulous technique — luminous colour, precise detail, and psychological depth — set him apart from his contemporaries. Brown's portraits of ordinary people elevated the everyday to the monumental, a legacy that resonates powerfully today\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eThe Irish Girl\u003c\/em\u003e, Brown captures a moment suspended between worlds — the old country left behind, the new one not yet claimed. Her gaze is direct, her expression composed. 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And then, cutting through the monochrome like a declaration, one red double-decker bus.\u003c\/p\u003e\n\u003cp\u003eIt is the oldest trick in photography, and when it works, it is devastating. Here, it works. The bus is not a detail — it is the point. Everything else in the frame exists to make that red more red, that London more London.\u003c\/p\u003e\n\u003ch3\u003eThe Remaster\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDigitally remastered by Elliott Best from a vintage aerial photograph of Piccadilly Circus\u003c\/li\u003e\n\u003cli\u003eThe monochrome treatment deepens the architectural drama of the Circus — the sweep of the streets, the density of the crowd, the geometry of the rooftops\u003c\/li\u003e\n\u003cli\u003eThe selective retention of the bus's red brings a warmth and immediacy that anchors the image in lived experience\u003c\/li\u003e\n\u003cli\u003eRemastered to archival standard — every detail resolved, every tone considered\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Subject\u003c\/h3\u003e\n\u003cp\u003ePiccadilly Circus has been the beating heart of London's West End for over a century. 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This photograph catches it in a moment of perfect, unrepeatable composition.\u003c\/p\u003e","brand":"Elliott Best","offers":[{"title":"COLLECTOR – 11x14in \/ 28x36cm","offer_id":48490760011947,"sku":null,"price":79.0,"currency_code":"CAD","in_stock":true},{"title":"GALLERY – 18x24in \/ 46x61cm","offer_id":48490760044715,"sku":null,"price":99.0,"currency_code":"CAD","in_stock":true},{"title":"STATEMENT – 36x48in \/ 91x122cm","offer_id":48490760077483,"sku":null,"price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0512\/7621\/8539\/files\/LondonPicadillyCircusBWReddoubledeckerbuss.png?v=1783278934"},{"product_id":"canaletto-westminster-abbey-remastered-fine-art-print","title":"Canaletto Westminster Abbey — Remastered Fine Art Print","description":"\u003ch2\u003eThe Master’s Eye on London’s Most Sacred Skyline\u003c\/h2\u003e\u003ch3\u003eAbout the Original\u003c\/h3\u003e\u003cp\u003eGiovanni Antonio Canal — universally known as Canaletto — spent a decade in London between 1746 and 1756, producing some of the most celebrated views of the city ever committed to canvas. His painting of Westminster Abbey is among the finest of these: a luminous, architecturally precise study of one of the world’s great Gothic structures, rendered with the same golden atmospheric light that made his Venetian vedute legendary. The original hangs among the treasures of 18th-century European painting.\u003c\/p\u003e\u003ch3\u003eThe Elliott Best Remaster\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDigitally remastered from the highest-resolution archival source available, restoring colour, depth, and detail lost to centuries of varnish and age\u003c\/li\u003e\n\u003cli\u003ePrinted on premium archival stock to museum conservation standards — colours that will not fade, shift, or yellow over time\u003c\/li\u003e\n\u003cli\u003eCanaletto’s signature warm palette — amber light, deep shadow, luminous sky — reproduced with fidelity to the original oil\u003c\/li\u003e\n\u003cli\u003eA work that rewards close inspection: the architectural detail, the figures in the foreground, the quality of London light — all present and accounted for\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWestminster Abbey \u0026amp; Canaletto’s London\u003c\/h3\u003e\u003cp\u003eWhen Canaletto arrived in London, he brought with him the visual vocabulary of Venice — a city built on water, light, and architectural spectacle. He found in London a worthy subject. Westminster Abbey, with its soaring Gothic towers and its weight of English history, was a natural focus. 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